12/6/2023 0 Comments Conjure up use existing bridge![]() We have 5 possible answers in our database. It was last seen in Daily quick crossword. Here are the possible solutions for 'Conjure up' clue. We will try to find the right answer to this particular crossword clue. RTNETLINK answers: Operation not permittedīringing up bridged interfaces failed, see system logs and /etc/network/interfaces.newĭHCPDISCOVER on ens2f0 to 255.255.255.255 port 67 interval 3 (xid=0xddb8be72)ĭHCPREQUEST of 10.205.76.6 on ens2f0 to 255.255.255.255 port 67 (xid=0x72beb8dd)ĭHCPOFFER of 10.205.76.6 from 10.205.76.4īound to 10.205.76.6 - renewal in 286 seconds. Conjure-up is a tool to deploy complex applications with the minimum of fuss. Today's crossword puzzle clue is a quick one: Conjure up. ![]() Internet Systems Consortium DHCP Client 4.3.3Ĭopyright 2004-2015 Internet Systems Consortium. 14:32:01 ERROR juju.provisioner provisioner_task.go:707 cannot start instance for machine "0/lxd/2": failed to bridge devices: bridge activaction error: bridge activation failed: Killed old client processĠ/lxd/3 down pending xenial failed to bridge devices: bridge activaction error: bridge activation failed: Killed old client process 14:31:49 WARNING juju.provisioner provisioner_task.go:739 failed to start instance (failed to bridge devices: bridge activaction error: bridge activation failed: Killed old client process I also use it at work to test and validate designs that I put forth to customers. I can easily and quickly spin up OpenStack, Kubernetes, and other big software demos. 14:31:36 WARNING juju.provisioner provisioner_task.go:739 failed to start instance (failed to bridge devices: bridge activaction error: bridge activation failed: Killed old client process I currently use conjure-up to do a few routine tasks in my daily tech life: At work, I use it to quickly spin up demos for customers. This allows the Kubernetes Controller Manager to automatically provision the AWS resources that it needs to integrate with the Elastic Load Balancer or Elastic Block Storage for persistent volume storage. This support is enabled by default in our Kubernetes spells. I was trying to conjure-up and getting t he below error. conjure-up has gained support for native integration with AWS.
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12/6/2023 0 Comments Td sequential rules![]() ![]() document.write would be used to inject the HTML into the page.One possible result is that script A begins to load, script B begins to load, script B finishes loading and executes, then script A finishes loading and executes. If the rule has two non-sequential JavaScripts, they will be loaded and executed in any order. When dynamically created script elements are created and added to the document, the browser loads the script asynchronously (in a non-blocking fashion). A script element would be generated and added to the document. ![]() If the rule has two sequential JavaScripts, the first one will load and execute before the second one begins to load and execute. Avoiding this was one of the goals in Launch. Note that, for users with low bandwidth, Chrome recently started blocking attempts to document.write script tags that load external scripts. This means the browser will download and execute the external script before continuing to parse the rest of the document. document.write would be used to load an external script in a blocking fashion.Rules with page bottom or page top event:.Some of this is from memory, so if it's inaccurate, I apologize. I'm happy to dive deeper here so you can have something written that your group can stew on. It sounds like you're interested in some of the deeper details though. SarahEOwen I don't have any problem talking about load order in the meeting but I'll defer to thebenrobb since he's the PM. 12/6/2023 0 Comments Marimba production music![]() The mix should include 1-3 tracks or instruments. I have a specific song in mind, "Vals para mi madre", which I would like to be included in the mix. The desired duration of the mix should be the same length as the file provided. Combined experimental and empirical results indicate that bodily movements and gestures can enhance perception of expressive marimba performance and therefore warrant focussed attention in pedagogy and practice.I am looking for a skilled audio engineer to create a mariachi marimba mix for my project. ![]() This theory accounted for functional bodily movements and bodily gestures in marimba performance based on an embodied interpretation of the musical score. The results of Experiments 1 and 2 and Study 1 lead to the formation of a theory of bodily gestures in marimba performance. This inspired confidence that effort-shape analysis and notation has potential as an analytical tool for performers, teachers and students. With basic training, professional percussionist performers were able to understand and apply effort-shape analysis and notation. Effort-shape analysis and notation described and recorded expressive qualities of marimba players’ bodily gestures at specific locations on the musical score. Force is the third element of motion additional to temporal and spatial aspects for which technology measuring only kinematics can not account. Laban Movement Analysis (LMA) observation techniques, involving embodied thinking and kinaesthetic mirroring, enabled analysis of force. Expressive qualities of marimba players���� bodily gestures, witnessed in several projected and deadpan marimba performances in the stimulus material from Experiment 1 were analysed in Study 1. Such experimentation in ecologically valid settings enables understanding of audience perception of live music performance as it unfolds in time. Differences between deadpan and projected sample mean engagement responses may be due to expressive bodily movement from the performance manner manipulation alternatively, serial order effect, necessitated by the concert setting, may be responsible. Reliable signal was only observed in the projected sample. As hypothesised, mean engagement responses were greater in the projected sample than the deadpan sample. The second order standard deviation threshold method was used to analyse signal reliability. A female musician performed two musically similar sections within the piece in two different performance manners (deadpan and projected). ![]() The stimulus material was a solo marimba piece performed in a live concert. Experiment 2 investigated audience continuous self-report engagement responses from 21 participants collected using the portable Audience Response Facility (pARF). ![]() The aim of Experiment 2 was to investigate whether the results of Experiment 1, conducted in laboratory conditions, would generalise to an ecologically valid setting – a real concert. Findings are relevant for both performers and educators. The results suggest that expressive functional bodily movements and bodily gestures play an important role in marimba performer-audience communication. Musically-trained participants recorded higher ratings than musically-untrained observers upholding the final hypothesis. Higher interest ratings were observed for projected performances when the presentation was audio-visual. Higher expressiveness ratings were observed for projected performances, and lower ratings were observed for deadpan performances when the presentation was audio-visual compared to audio-only. The hypothesised interaction between modality and performance manner was observed. As hypothesised, significantly higher ratings were recorded in response to projected performances than to deadpan. Performances were given by a male and a female professional musician in projected (public performance expression) and deadpan (minimised expressive features) performance manners. Twenty-four musically-trained and 24 musically-untrained observers rated auditory-only and auditory-visual presentations of 20th Century solo marimba excerpts for perceived expressiveness and interest. Body movement is of particular relevance here as the expressive capabilities of the marimba are relatively restricted, and the movements required to play it are visible. Experiment 1 investigated the assumption that bodily movements and gestures can enhance or diminish the perception of expression and interest in solo marimba performance when presented audio-visually compared to presentation in audio-only form. A parallel is drawn between the bodily movements and gestures occurring with expressive musical sound, and gestures produced in concurrence with speech. A combination of experimental and empirical studies investigate the assumption that musical expression is communicated in marimba performance through at least two channels – sound and action. 12/6/2023 0 Comments 222 lb peter wright anvil![]() After cooling, the casting was reheated and hammered to harden the metal.Ībout 1,700 B.C., the Hittites in Asia Minor discovered iron and how to smelt it. The molten bronze was poured into the stone mold and covered with a clay cap. Axes, daggers and similar weapons and tools were cast in open molds chipped out of stone. These meteorites are quite hard and consist mostly of iron with a bit of nickel and other trace elements.Įventually, both hammers and anvils were made of bronze a number of bronze anvils have been found and dated to between 1,200 and 800 B.C. Pieces of meteorites that appear to have been used as anvils also have been unearthed. The early smiths used stone hammers to beat the copper and lead, and stones served as their anvils. Another millennium passed, though, before smiths learned how to mix molten copper and tin to make bronze. Also, copper was being used to make weapons and tools by 4,000 B.C. ![]() Postman, copper and lead were being smelted together and the resulting lumps of metal hammered into thin sheets and used for ornaments by 5,400 B.C. According to Anvils in America, by Richard A. The discovery of metalworking, which began in the area of present-day Turkey and Iran about 6,000 B.C., changed the world. Most early farm shops had an anvil, or at least a chunk of railroad rail that could be used to straighten or bend metal, set rivets – and crack walnuts. Instead, we’ll take a look at the histoy of anvils. This month’s column is a change of pace from tractors and farm equipment. 12/5/2023 0 Comments Bubble powerpuff![]() Hypocrite : Brick criticizes Boomer for saying “beating up people for fun is really fun”, even though Brick himself said it first.Hidden Wire: Bubbles wears one so her sisters and the professor can follow what is going on.Evil: off screen, the Rowdyruff Boys vs Fuzzy Lumpkins. Even Evil Has Standards: Even Brick and Butch are grossed out that Bubbles actually ate the cockroach. ![]()
12/5/2023 0 Comments Maya my favorite chaperone![]() ![]() What is the impact of Mama’s statement on Maya?
12/5/2023 0 Comments Gps4cam lightroom![]() This seems trivial when, like in this case, I did this within an hour, but after a weekend away, processing the GPS coordinates a few days later, it ruined my timeline for the weekend. This image is a live example! Actual time taken according to EXIF, 2010:12:18 09:06:57. This screenshot illustrates it - look at "Take on" at the top, and "Date and Time" at the very bottom: dl./u/1561733/flickr_date_weirdness.png Why does Flickr not use the EXIF time as the "Taken on" time - it appears to be using the time the file was modified by the gps4cam desktop app. This is mysterious, as in the EXIF data, the original time is preserved. When I use gps4cam to process my images and add GPS coordinates, Flickr's "Taken on" time reflects the time *the images were processed by the desktop app* - not the time actually taken. I manage my images using Apple Aperture 3. This allows my iPhone to plot my route with GPS, and then using the Mac companion app to go add GPS coordinates to my camera's pictures based on the time they were taken. I have started using an app called gps4cam on my iPhone/Mac. This problem is driving me insane, I hope someone can help! Mismatch between EXIF time taken and Flickr's "Taken on" Multiple uploads of same image - duplicates Internet Archive / British Library - Completely The group banning system seems to be broken We were unable to find the specified comment on the photo flickr errorįlickr alternative for artistic nude photography Welcome to the Flickr Help Forum! Click here to get started and to read our ![]() Flickr forever: Creating the safest most inclusive This thread was closed automatically due to a lack of responses over the last month. 12/5/2023 0 Comments Brushless mini e revo![]() Big speed requires big horsepower, so E-Revo VXL and Slash 4WD VXL carry the largest motor in the "mini" category. When drivers' ed is through, full power and 50+mph is unleashed with a touch of the EZ-Set® button. Patented Training Mode™ lets new drivers hone their skills at 50% throttle. Fully LiPo compatible with low-voltage detection for 2S and 3S packs and rated for 6-12 NiMH cells, this potent, powerful combo gives E-Revo VXL precise throttle control and blistering top speed. ![]() No other RTR truck, regardless of scale, makes it so easy and affordable to experience this level of high speed and wheelie-popping power.Īll-new and built specifically for Traxxas 1/16 scale models, the VXL-3m speed control and Velineon® 380 motor represent the latest in brushless technology. ![]() Install a second 6-cell battery to unleash the Velineon Brushless Power System's full fury, and E-Revo VXL jumps to over 50mph-all with proven-safe NiMH packs. At 30+mph with the included 6-cell NiMH battery, E-Revo VXL is nearly twice as fast as most mini models, and faster than most electric RTR trucks of any scale. Some mini-models are "fast for a mini." That's not good enough for Traxxas. In 1/16 scale, it is an even more impressive achievement of packaging and performance optimization that could only come from Traxxas, The Fastest Name In Radio Control®. Intricately molded as a single piece, the chassis balances strength and weight, function and aesthetics, convenience and performance to far surpass the standards of the "mini" category. The suspension and electronics are fully integrated into the semi-monocoque chassis design that stunned the world when it debuted with the E-Revo. This superior technology provides capability, performance, and tuning functions at the absolute pinnacle of truck design. The standard-bearer of design excellence, the Revo's F1-inspired, rocker-actuated suspension has been expertly adapted to 1/16 scale with all its functionality and performance intact, right down to the oil-filled, threaded-body GTR shocks. The E-Revo VXL is built on the race-winning, track-proven innovation of the Revo and E-Revo models. No detail was overlooked in our mission to bring all the capability, durability, and excitement of Traxxas' award-winning models to 1/16 scale for fast, affordable R/C fun. Beneath the factory-finished polycarbonate shell, you'll find the winning suspension technology of the seven-time National Champion Traxxas Revo®, screaming Velineon® brushless-motor power, and the convention-busting innovation of the E-Revo. But don't call it a "mini"-this is a whole new category of R/C performance and fun that no mere mini-model can match. At 14 inches long, E-Revo VXL is about half the size of the 1/10-scale E-Revo. Now, for the first time, all the speed, quality and capability you expect from Traxxas is available in 1/16 scale with the new 1/16 E-Revo VXL. Traxxas sets the standard for power, performance and innovation. Ready-To-Race® With Included Traxxas Power Cell NiMH Battery.Powerful Velineon 380 motor-largest in class.Velineon® Brushless Power with new VXL-3m speed control.NEW 2-amp DC Peak Detecting Fast Charger.NEW Traxxas Power Cell NiMH batteries with iD™.Required for operation: AC charger or Power supply and batteries for controller.Top speed up to 80km/h (48km/h out from the box).1/16 scale Brushless Traxxas E-Revo - Battery and 12V DC charger included 12/5/2023 0 Comments Synergy spa![]() Whether looking for a day of pampering or perfecting any areas of concern, you have no need to go beyond the world of Synergy, as we have you covered from head to toe. 1. (Attachments: 1 Civil Cover Sheet, 2 Proposed Summons) (Harris, Scott) April 26, 2023: NOTICE OF DEFICIENCY - Failure to File Financial Disclosure Statement as to Malinda Spain. ( Filing fee 402 receipt number ANCEDC-7057836.), filed by Malinda Spain. Featuring both non-invasive and surgical options such as DiamondGlow™, CoolSculpting®, Sciton and Lutronic Laser Services, as well as an expert team of seasoned nurse injectors, Synergy offers everything you need to look and feel your best. Filing 1 COMPLAINT Class Action Complaint against Synergy Spa, Inc. When visiting Synergy, you will be supported by an expert team of over 75 talented medical and spa professionals, all of whom are dedicated to bringing you the latest advances in medical aesthetics, skin care, body therapy, and plastic surgery in Raleigh. ![]() Wake Forest - near the intersection of 98 and Main Street, adjacent to Supremia Dentistry Synergy Face + Body is a Med Spa in Raleigh, North Carolina offering quality med spa and surgical treatments to help you look and feel your best.Cary - at the intersection of Cary Parkway and Kildaire Farm Road.North Raleigh - situated inside the American Institute of Healthcare and Fitness. ![]()
12/5/2023 0 Comments Cornerstone family practice![]() After the assessment, quality pain management depends on clinicians' earnest efforts to ensure that patients have access to the best level of pain relief that can be safely provided. This can influence a positive pain management outcome. ![]() A health care professional's empathic understanding of the patient's pain experience and accompanying symptoms confirms that there is genuine interest in the patient as a person. This means listening empathically, believing and legitimizing the patient's pain, and understanding, to the best of his or her capability, what the patient may be experiencing. However, the quality and utility of any assessment tool is only as good as the clinician's ability to thoroughly focus on the patient. JCAHO surveyors routinely inquire about pain assessment and management practices and quality assurance activitiesin both inpatient and outpatient care areas.Īssessment of the patient experiencing pain is the cornerstone to optimal pain management. The development of practice guidelines and standards reflects the national trend in health care to assess quality of care in high-incidence patients by moni-toring selected patient outcomes, as well as the assessment and management of pain. Recognition of the widespread inadequacy of pain management has prompted efforts to correct the problems by a wide variety of organizations, including the Agency for Health Care Policy and Research, the Joint Commission on Accreditation of Healthcare Organizations (JCAHO), the American Pain Soci-ety, and the Oncology Nursing Society. Additionally, clinicians' personal belief systems, attitudes, and fears can directly influence the manner in which they and their patients respond to the varied dimensions ofpain management. Studies have found that two of the chief barriers for health care professionals are poor pain assessment and lack of knowledge about pain ( 15, 16). Yet reports documenting the inability of health care professionals to use this information continue to appear in the literature. Suboptimal pain management is not the result of lack of scientific information, considering the explosion of research on pain assessment and treatment. It has been estimated that 9% of the US adult population suffers from moderate to severe chronic nonmalignant pain ( 14).ĭespite the existence of evidence-based guidelines, acute pain is not adequately addressed by health care professionals ( 15). The Mayday Fund survey noted that pain is a part of life for many Americans, with 46% of respondents reporting pain at some time in their lives ( 13). ![]() Pain in persons with cancer also remains a significant problem, with studies suggesting that as many as 30% to 40% of cancer patients at diagnosis and 70% to 80% of cancer patients undergoing therapy or in the end stages of life have unrelieved pain ( 7– 12). In the USA, 23.3 million surgical procedures are performed each year, and most, if not all, result in some form of pain ( 3– 6). Chronic pain can also accompany an injury that has not resolved over time, such as reflex sympathetic dystrophy, low back pain, or phantom limb pain. It accompanies disease processes such as cancer, HIV/AIDS, arthritis, fibromyalgia, and diabetes. Chronic pain, in contrast, worsens and intensifies over time and persists for months, years, or a lifetime. Acute pain serves as a warning that something is wrong. Acute pain usually lasts hours, days, or weeks and is associated with tissue damage, inflammation, a surgical procedure, or a brief disease process. Pain is commonly categorized along a continuum of duration. Clinically, pain is whatever the person says he or she is experiencing whenever he or she says it occurs ( 2). 321–323 as well.Īccording to the International Association for the Study of Pain, pain is an unpleasant sensory and emotional experience arising from actual or potential tissue damage ( 1). The quiz, evaluation form, and certification appear on pp. This page also provides important information on method of physician participation, estimated time to complete the educational activity, medium used for instruction, date of release, and expiration. She is co–principal investigator of a National Institutes of Health grant on palliative care and is on the speakers bureaus of Purdue Pharmaceuticals, Anestra Corporation, and Roxane Laboratories.īefore beginning this activity, please read the instructions for CME on p. ![]() Fink has held positions as oncology and pain clinical nurse specialist. Regina Fink, RN, PhD, AOCN, is a research nurse scientist at the University of Colorado Hospital in Denver. |
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